Posts Tagged ‘Interactive Art’

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Earth: Language and Symbols Opens January 20, 2012 at Cara and Cabezas Contemporary in KC Crossroads District

January 13, 2012

Press Release:

NEW EXHIBITION FOCUSES ON EARTH AS A MEDIUM
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Earth: Language and Symbols

Curated by Darin M. White
January 20 – March 10, 2012
Opening: Friday, January 20, 2012, 6-9 pm
From the earth we emerge and we return to the earth.
We explore our world and grasp to adequately describe through language and
symbols who we are and why. Through sculpted clay, compressed burned trees
and dried pulp, minerals retrieved and many other ways we reach out to speak
about the space that we inhabit as we gaze into the heavens. While it may sound
mundane, in actuality there is life at it’s fullest to be explored, and held in our
open hands for however long we are given. This exhibition, featuring work by
Rex Hausmann and Jimmy Greenfield, attempts to dig deep into these notions
through material, action, thought and image.
– Darin M. White, Guest Curator

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Universal Language: Rex Hausmann

Universal Language will exhibit a water painting performance, slide-show,
photographs, and drawings from a recent sojourn to Beijing and Hong Kong.
These elements explore an interaction the artist had with a calligraphy master
at the Temple of Heaven where he found that across many cultural barriers,
the two were able to bridge their varying cultural experiences by
communicating through brush and line. Additionally, Universal Language
will include an installation entitled Where There Is Land There Is War,
equating historical events that occurred at the Boston Common.

Calligraphy master with Rex Hausmann in Beijing,
China at the Temple of the Sun

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Signs…  Jimmy Greenfield
We live in a visual world of signs that guide, dictate, and define social norms.
Many of these are culturally specific, but others are universally understood
and form the basis of a symbolic language readable the world over.  The signs
depicted in this show are meant as warnings about the effects of unbridled
population growth that puts ever-increasing pressure on shrinking natural
resources, the wholesale and indiscriminate destruction of the environment,
and the inevitability of human conflict that will follow. Constructed on
desiccated earth, they are meant to inspire meditation about the future with
the hope that by doing so, humans will somehow rise above their differences
and recognize the extreme challenges ahead.  This “evolution of human spirit
and cooperation” is the only process through which we will be able to ensure
and maintain the survival of the living planet.
Jimmy Greenfield, WARNING 2, 2009
dirt, sticks, dried grass, wire
30 x 30 x 3 inches

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Artists in Resonance selected for this exhibition are Gina Adams, TR Ericsson,
Matthew Farley, Jane Flanders, John Hachmeister, Elden Tefft, Maria Velasco,
Baruch Vergara, and Shannon White.

Gina Adams, Lace, Bead, Fabric Landscape .3,
Encaustic and oil on panel, 14″ x 20″, 2009
John Hachmeister, Dust, Rise Rain, Ceramic
John Hachmeister, Dust Rise Rain, Ceramic
Matthew Farley, Icarus Bound, Photodocumentation of Guerilla Installtion over Charles Umlauf's Icarus Sculpture
Matthew Farley, Icarus Bound, Photo documentation
of Guerrilla Installation on Charles Umlauf’s Icarus
Sculpture, 2010More images from Artists In Resonance for Earth: Language and Symbols

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ABOUT THE ARTISTS:

Rex Hausmann works as a full-time artist in San Antonio, Texas, and
New York City. He currently works in his family’s warehouses, home to
Hausmann Millworks: A Creative Community. Hausmann received a
bachelor of fine arts from the Savannah College of Art and Design. In
Atlanta, Hausmann studied under international artists Sandy Skoglund
and Patrick Dougherty. Hausmann has worked on projects and lectured
both nationally and internationally. His work and large projects often
revolve around identities found in communal and domestic contexts,
tracing their connections to religion and history. Hausmann credits
brother and musician Erik Hausmann as a major influence.
Since moving to NYC in the late 1970’s, Jimmy Greenfield has been
an avid sculptor, percussionist, environmentalist, and citizen activist
committed to community affairs.  In the late 1990’s, his sculpture
became more politically charged dealing specifically with issues of the
environment and human conflict.  To this end, in 2006, he created
Soapbox Gallery, a free street side public art venue in Brooklyn, NY
dedicated to inspiring and promoting uncensored socially relevant
work with a strong political narrative.
ABOUT THE CURATOR:

Darin M. White is an artist and independent curator based in
Lawrence, Kansas.  With his wife Shannon, a painter and arts advocate
they founded b.a.l.m. (beauty, art & life movement). Together they
promote creativity and action, and encouraging others in their art and
understanding. White continues to expand his artistic medium including:
sculpture, installation, printmaking, drawing, producing/ curating/
juroring exhibitions and writing art reviews and articles. His love and
awe of life and people are intertwined and explored in these various
avenues.
This is exhibition is brought to you by:
__________________________________________________________________________________
Cara and Cabezas Contemporary
1714 Holmes Street, Kansas City, Missouri, 64108,
816.332.6239
, gallery@caraandcabezas.com
OPEN First Friday 6 – 9 pm, Saturdays 11 – 5 pm
and By Appointment Tuesday – Friday
__________________________________________________________________________________
View gallery information about exhibition:
http://caraandcabezas.com/exhibitions_future.html

Facebook Invitation: http://www.facebook.com/events/158418277600551/


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