Archive for the ‘metal casting’ Category

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Compelling Article by Dana Gioia, Chairman for NEA, a Wall Street Journal Editorial

August 22, 2007

The Impoverishment of American Culture
And the need for better art education.

BY DANA GIOIA
Thursday, July 19, 2007 12:01 a.m. EDTThere is an experiment I’d love to conduct. I’d like to survey a cross-section of Americans and ask them how many active NBA players, Major League Baseball players, and “American Idol” finalists they can name. Then I’d ask them how many living American poets, playwrights, painters, sculptors, architects, classical musicians, conductors and composers they can name. I’d even like to ask how many living American scientists or social thinkers they can name.
Fifty years ago, I suspect that along with Mickey Mantle, Willie Mays and Sandy Koufax, most Americans could have named, at the very least, Robert Frost, Carl Sandburg, Arthur Miller, Thornton Wilder, Georgia O’Keeffe, Leonard Bernstein, Leontyne Price and Frank Lloyd Wright. Not to mention scientists and thinkers like Linus Pauling, Jonas Salk, Rachel Carson, Margaret Mead and especially Dr. Alfred Kinsey.I don’t think that Americans were smarter then, but American culture was. Even the mass media placed a greater emphasis on presenting a broad range of human achievement. I grew up mostly among immigrants, many of whom never learned to speak English. But at night watching TV variety programs like the Ed Sullivan Show, I saw–along with comedians, popular singers and movie stars–classical musicians like Jascha Heifetz and Arthur Rubinstein, opera singers like Robert Merrill and Anna Moffo, and jazz greats like Duke Ellington and Louis Armstrong captivate an audience of millions with their art.

The same was true of literature. I first encountered Robert Frost, John Steinbeck, Lillian Hellman and James Baldwin on general-interest TV shows. All of these people were famous to the average American–because the culture considered them important. Today no working-class kid would encounter that range of arts and ideas in the popular culture. Almost everything in our national culture, even the news, has been reduced to entertainment, or altogether eliminated.

The loss of recognition for artists, thinkers and scientists has impoverished our culture in innumerable ways, but let me mention one. When virtually all of a culture’s celebrated figures are in sports or entertainment, how few possible role models we offer the young. There are so many other ways to lead a successful and meaningful life that are not denominated by money or fame. Adult life begins in a child’s imagination, and we’ve relinquished that imagination to the marketplace.

I have a reccurring nightmare. I am in Rome visiting the Sistine Chapel. I look up at Michelangelo’s incomparable fresco of the “Creation of Man.” I see God stretching out his arm to touch the reclining Adam’s finger. And then I notice in the other hand Adam is holding a Diet Pepsi.When was the last time you have seen a featured guest on David Letterman or Jay Leno who isn’t trying to sell you something? A new movie, a new TV show, a new book or a new vote? Don’t get me wrong. I have a Stanford MBA and spent 15 years in the food industry. I adore my big-screen TV. The productivity and efficiency of the free market is beyond dispute. It has created a society of unprecedented prosperity.

But we must remember that the marketplace does only one thing–it puts a price on everything. The role of culture, however, must go beyond economics. It is not focused on the price of things, but on their value. And, above all, culture should tell us what is beyond price, including what does not belong in the marketplace. A culture should also provide some cogent view of the good life beyond mass accumulation. In this respect, our culture is failing us.

There is only one social force in America potentially large and strong enough to counterbalance this commercialization of cultural values, our educational system. Traditionally, education has been one thing that our nation has agreed cannot be left entirely to the marketplace–but made mandatory and freely available to everyone.

At 56, I am just old enough to remember a time when every public high school in this country had a music program with choir and band, usually a jazz band, too, sometimes even an orchestra. And every high school offered a drama program, sometimes with dance instruction. And there were writing opportunities in the school paper and literary magazine, as well as studio art training.

I am sorry to say that these programs are no longer widely available. This once visionary and democratic system has been almost entirely dismantled by well-meaning but myopic school boards, county commissioners and state officials, with the federal government largely indifferent to the issue. Art became an expendable luxury, and 50 million students have paid the price. Today a child’s access to arts education is largely a function of his or her parents’ income.

In a time of social progress and economic prosperity, why have we experienced this colossal cultural decline? There are several reasons, but I must risk offending many friends and colleagues by saying that surely artists and intellectuals are partly to blame. Most American artists, intellectuals and academics have lost their ability to converse with the rest of society. We have become wonderfully expert in talking to one another, but we have become almost invisible and inaudible in the general culture.

This mutual estrangement has had enormous cultural, social and political consequences. America needs its artists and intellectuals, and they need to re-establish their rightful place in the general culture. If we could reopen the conversation between our best minds and the broader public, the results would not only transform society but also artistic and intellectual life.

There is no better place to start this rapprochement than in arts education. How do we explain to the larger society the benefits of this civic investment when they have been convinced that the purpose of arts education is to produce more artists, which is hardly a compelling argument to the average taxpayer?We need to create a new national consensus. The purpose of arts education is not to produce more artists, though that is a byproduct. The real purpose of arts education is to create complete human beings capable of leading successful and productive lives in a free society.

This is not happening now in American schools. What are we to make of a public education system whose highest goal seems to be producing minimally competent entry-level workers? The situation is a cultural and educational disaster, but it also has huge and alarming economic consequences. If the U.S. is to compete effectively with the rest of the world in the new global marketplace, it is not going to succeed through cheap labor or cheap raw materials, nor even the free flow of capital or a streamlined industrial base. To compete successfully, this country needs creativity, ingenuity and innovation.

It is hard to see those qualities thriving in a nation whose educational system ranks at the bottom of the developed world and has mostly eliminated the arts from the curriculum. Marcus Aurelius believed that the course of wisdom consisted of learning to trade easy pleasures for more complex and challenging ones. I worry about a culture that trades off the challenging pleasures of art for the easy comforts of entertainment. And that is exactly what is happening–not just in the media, but in our schools and civic life.

Entertainment promises us a predictable pleasure–humor, thrills, emotional titillation or even the odd delight of being vicariously terrified. It exploits and manipulates who we are rather than challenging us with a vision of who we might become. A child who spends a month mastering Halo or NBA Live on Xbox has not been awakened and transformed the way that child would be spending the time rehearsing a play or learning to draw.

If you don’t believe me, you should read the studies that are now coming out about American civic participation. Our country is dividing into two distinct behavioral groups. One group spends most of its free time sitting at home as passive consumers of electronic entertainment. Even family communication is breaking down as members increasingly spend their time alone, staring at their individual screens.

The other group also uses and enjoys the new technology, but these individuals balance it with a broader range of activities. They go out–to exercise, play sports, volunteer and do charity work at about three times the level of the first group. By every measure they are vastly more active and socially engaged than the first group.

What is the defining difference between passive and active citizens? Curiously, it isn’t income, geography or even education. It depends on whether or not they read for pleasure and participate in the arts. These cultural activities seem to awaken a heightened sense of individual awareness and social responsibility.

Art is an irreplaceable way of understanding and expressing the world–equal to but distinct from scientific and conceptual methods. Art addresses us in the fullness of our being–simultaneously speaking to our intellect, emotions, intuition, imagination, memory and physical senses. There are some truths about life that can be expressed only as stories or songs or images.

Art delights, instructs, consoles. It educates our emotions. And it remembers. As Robert Frost once said about poetry, “It is a way of remembering that which it would impoverish us to forget.” Art awakens, enlarges, refines and restores our humanity.

Mr. Gioia is the chairman of the National Endowment for the Arts. This article is a condensed version of his June 17 commencement address at Stanford University.

See original article here

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PARABOLIC P ART Y invitation – An evening of artistic discovery

June 23, 2007

Please pass the parabolic art and conversation.  Come explore with us through childlike creativity this graceful, physical and abstract form found all around us.  We plan to play with the themes of art inspired by sound, sight, movement and light.   Bring yourselves, possibly a pertinent work, your creativity, and a bowl of food.  Art lovers are welcome.  We will provide noodles of all sorts to eat and to sculpt.  Contact us for details. 

Parabolic P ART Y invitation AN EVENING OF ARTISTIC DISCOVERY

click image for invite

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Art Talk

June 18, 2007

At the End of May Darin & Shannon were invited to come speak to 23 people about the value of art and balm at a gathering in Grove, Oklahoma located in a quaint restaurant called Tiramisu in conjuction with Blazon Studio

Blazon Studio Front 

After the talk, we went next door to the gallery to discuss our work.  We want to thank Larry Cole the owner of the gallery and Joan Ramsey the gallery manager as well as all of the people that helped pull this gathering together.   We look forward to seeing some of you in Lawrence to create together soon.

 Shannon in Gallery Discussing Work  D&S Images in Gallery

                                                      Darin’s Sculpture Gallery View  Purity II Gallery View

We were also thankful to stay at a relative’s lake house on Grand Lake which had a beautiful view and was very peaceful.  Thank you Dave & Ann!  We saw red foxes, pelicans, woodpeckers, ducks, geese and many other species of birds outside our windows.  All these things fed our artist souls.  We were certainly refreshed and excited to be a part of the arts in Oklahoma.  You can view our art in the gallery on the Oklahoma television news syndicates three times from the last several months, as well.

Grand Lake View 

If you are interested in having us speak at a gathering or gallery please contact us at balm-.-org-at-wordpress-.-com (remove the dashes and replace at with the symbol). 

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Reflections on Works in Progress Gathering

June 3, 2007

WORKS IN PROGESS GATHERING Image 5WORKS IN PROGESS GATHERING Image 6

WORKS IN PROGESS GATHERING Image 7WORKS IN PROGESS GATHERING Image 1 

A group of artists, all works in progress, enjoyed sharing our workmanship with one another over the Cinco de Mayo festivities.  We celebrated our freedom to create and gather together at Jane’s wonderful Lawrence studio over margeritas and delicious Mexican food. 

Then we settled into a critique of works in progress.  The large colorful Japanese inspired paintings belong to Jane.  The artwork inspired deep conversation, as Brad shared of his  recent trip to Hawaii playing music with Jack Johns and worshiping here.  He mentioned how landscape and region inspire style.  Ingrid showed us her spontaneous painting of a local prairie fire at night,  and Jay talked about his stone work and guild, as well as issues of figuration in art. Congratulations to Jay on becoming a fire chief, by the way.  Marc invited us to discuss his revised film script narration on a father and son relationship before his last editing session – what a privilege.  Shannon shared new figurative works in a series of assemblages for dialogue, and a two life portrait panels with text.  There was so much to see and discuss, food for thought.  Darin and Janea declined to share their pieces to make way for others, as we could have talked all night.  We thank all the people who came and contributed to the conversations.  Artists love to talk about their’s and others’ work!  Several artists expressed interest in visiting each others’ studios to talk about life and work one on one on a regular basis.  Let’s keep encouraging each other to create.

We enjoy seeing you all around town and at these gatherings.  A few places we have seen artist friends around town are shown below (Farmer’s Market, Art Togeau Parade, downtown, SEED lectures):

  Art Car Parade 1 Farmers Market Balm Farmers Market Musician 

Art Car Parade 2 downtown art

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WORKS IN PROGRESS GATHERING

May 1, 2007

WORKS IN PROGRESS GATHERING Invite

Hola, Amigos y Amigas Artisticos!

You are invited to balm’s WORKS IN PROGRESS GATHERING a la casa del Flanders: 1023 New Jersey St 66044, 7:00 p.m. – 10:00 p.m. on May 5th.  The Flanders have graciously volunteered their East Lawrence studio space to host us.  Since the event falls on Cinco de Mayo, we will have festive beverages and plenty of torilla chips with Darin’s fresh salsa and pico de gallo in this very casual setting.  Please bring any bocados y bebidas to share, but most importantly, bring a creative piece you are currently working on or have recently finished that you would like to discuss and a chair to sit on.  This is a studio where people get messy and create.  We have found out there is a gato in residence, as well.

We will announce some exciting developments in booking the traveling postcard exhibit and fresh ideas on that at this gathering.  These shows will display our postcard sized destination themed artwork, front and back, and offer it for sale by the artist if so desired.    It is not too late to enter more postcards, for those of you who would still like to participate.  We have about twenty-five, so far.  If you would like more about how to proceed with you postcard, please visit https://balmorg.wordpress.com/2007/03.

Let’s celebrate our freedom to create! 

Don’t forget to RSVP to d & s at balmorg – at – gmail.com for this Saturday’s WORKS IN PROGRESS GATHERING!

Fantastico!

balm

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